zondag 25 januari 2015

Emotion and synesthete

Blokken schema; S in sience; EVERS

The academy of the senses

p 30;

Phenomenologically distinguishable modes of synesthesia;
1. synesthetic imagery experienced; constutional synesthesia
2. Commenly understood verbal synesthesia; Synesthetic metaphor in language
3. Synesthetic responses; provoked in Cross-Modal laboratory experiments
4. Evoke synesthetic experience within audiance using (new) media technologies to compose new relations between the arts; mediated synesthesia
-> "creative synesthesia

Blokken schema; S in Sience; Marks

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MARKS: Unity of the scenses,

Interrelations Among the Modalities (Primary)

Relation between brightness and size is the only thing that as well synesthetes as non synesthetes agree on.

p90

EVERS: p24-p30

Blokken schema; Synesthetic in Science Hornbostel; law of brightness-audiovisual

Erich von Hornbostel;

THE UNITY OF THE SENSES (primair)->WHAT IS ESSENTIAL;
Is not which seperates the senses from one another but that wich unites them.... (p87)
-> refers to Locky's perception filled in by different scenses (p89)

(p 89)

Relaltion Audiotory brightness with visual brightness (p84-85)

EVERS; The academy of the scenses (2ndair)
-> call for reorganisation of of sience by artist (Oskar fishinger) (p18)

Blokken schema; S in Science; Limbic system & Emotion

Synesthetics in Sience;

Limbic system & Emotion

Cytowic; Synesthesia: Phennomenology and neuropsycology; a review of current knowlege (p13-16) Implications of synesthesia regarding the primacy of emotion

*cognitive homeostat